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Whither the weepie? Why Hollywood stopped making us cry
As The Notebook turns 20, Emily Bootle looks at the history, personal and cultural, of crying at films – and why the likes of My Sister's Keeper and Marley and Me are no longer necessary
As The Notebook turns 20, Emily Bootle looks at the history, personal and cultural, of crying at films – and why the likes of My Sister's Keeper and Marley and Me are no longer necessary
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